Idenity Graphic
ABOUT
ARTISTS
PROGRAMMING
EDITIONS
CONTACT

RESTLESS BRILLIANCE

Still from Chronomops, 2006, by Tina Frank


Shuttle358


September 24th, 2008
The Hammer Museum
10899 Wilshire Blvd
Los Angeles, CA 90024
7:00pm
FREE

VOLUME and the Hammer Museum present Restless Brilliance, an evening exploring new trajectories in music and video. Showcasing new work in the emergent field of experimental electronic and audiovisual performance, Restless Brilliance presented artists that are blurring the lines between music, cinema, performance, and art.

This installment of our ongoing series with the Hammer Musuem presents a live performance by Shuttle358, and a screeningof Colorfield Variations organized by artists Richard Chartier.

Shuttle358
Also known as the critically acclaimed artist Shuttle 358 on the NY based label 12k and Fenton on the Japanese imprint Plop, Dan Abrams is among a new wave of artists bringing the aesthetic sensibilities of digital technologies to bear upon the styles of environmental space music first explored by the likes of Brian Eno, David Parsons, Michael Stearns, and Robert Rich.

Abrams created quite a stir in the US minimal electronic scene with his debut release Optimal.lp in 1999 in which he seamlessly blended the soft sounds of ambient music with the granular aesthetics of modern digital minimalism. This release defined his style and gave birth to many imitators, with comparisons to the work of Eno and Global Communication proving as often, and appropriate, as those to Oval or Ryoji Ikeda.

Colorfield Variations
The Colorfield Variations program, organized by renowned sound artist Richard Chartier, is a collection of audio/visual works reinterpreting the Color Field movement by an international array of critically acclaimed sound and new media artists including: Frank Bretschneider, Alan Callander, Chris Carter + Cosey Fanni Tutti (Chris & Cosey/Throbbing Gristle), Sue Costabile, Evelina Domnitch + Dmitry Gelfand, Mark Fell (SND/Blir) + Ernest Edmonds, Tina Frank + General Magic, Ryoichi Kurokawa, Stephan Mathieu, Steve Roden, and Bas Van Koolwijk. Colorfield Variation includes new works especially created for this program.

Colorfield Variations in its original form was commissioned for Washington Project for the Arts and premiered at the Corcoran Gallery of Art, Washington, DC, on April 25, 2007.

Links:
Shuttle358
Colorfield Variations
The Hammer Museum

ISIS + TIM HECKER

photo: Xiaolei Li


In 2006 post-rock band ISIS and ambient artist Tim Hecker premiered a new live collaboration at the inaugural Bleeding Edge Festival at the Montalvo Arts Center in Saratoga, California.

Originally curated by Volume Co-Director Robert Crouch for the Bleeding Edge Festival, Volume will continue to work with the artists to develop and present further versions of this very special collaboration.

We are also pleased to announce that SnowGhost Music has generously offered to produce and record this project in the coming months at their studio in Montana. Visit the SnowGhost website to learn more about this unique partnership.

Links:
See a clip of their performance on YouTube
Grooves Magazine review

San Jose Metro feature

PAST PROJECTS

David Kwan, Solaris


June 9, 2008
Monkeytown
Brooklyn, NY

Volume Projects and Overlap.org present LISTEN/VISION 04, June 9th at Monkteytown. LISTEN/VISION 04 is the first NYC presentation of the LISTEN/VISION series.

LISTEN/VISION 04 showcases new work by such international artists as Greg Davis, Sawako, Frank Bretschneider, David Kwan, and Nate Boyce. Each of these artists traverses the territory between art and music through multidisciplinary art forms including sound manipulation, soundtrack generation, digital media, computer-generated visuals, aural landscapes, video mixes, and animation.

The fourht installment of this series, LISTEN/VISION 02 presented new work by Greg Davis, David Kwan, Sawako, Frank Bretschneider,and Nate Boyce.

Links:
Monkeytown
Overlap.org
Greg Davis
Sawako
David Kwan
Frank Bretschneider
Nate Boyce

LISTEN/VISION 03
Signal performing at LISTEN/VISION 03
photo: TJ Norris


Signal


May 14, 2008
San Francisco Art Institute
San Francisco, CA

The third installment of LISTEN/VISION presented a very special evening with live performances by the three principal members of the German arts platform Raster-Noton: Carsten Nicolai, Frank Bretschneider, and Olaf Bender. Each artist performed individually, and collectively as Signal. These artists are considered by many to be some of the most important and influential individuals working within the field of experimental electronic audiovisual performance today.

Signal: Robotron (mp3)
Alva Noto (Carsten Nicolai): Unitxt
Olaf Bender: D.O.A.T. (Death of a Typographer) (mp3)
Frank Bretschneider: Rhythm

Carsten Nicolai
Carsten Nicolai is an artist who works intensively in the transitional area between art and science. For several years now he has also experimented with sound under the pseudonym Noto to create his own code of signs, acoustic and visual symbols. As Alva Noto he leads those experiments into the field of electronic music.

Among others, Nicolai already performed as Alva Noto at Solomon R. Guggenheim Museum in New York, at San Francisco Museum of Modern Art, at Centre Pompidou in Paris, at Kunsthaus Graz and at Tate Modern in London. Additionally he has projects with diverse artists such as Ryoji Ikeda (cyclo), Mika Vainio or Thomas Knak (opto); recently he toured with Ryuichi Sakamoto through Europe, Australia and Asia.

Olaf Bender
Germany-based Olaf Bender is one of three founders of the Raster-Noton imprint. Beside the management of Raster-Noton, Olaf Bender is responsible for the graphic design and public appearance of the label and its products. He often records under such aliases as Byetone and Lumen for solo projects, and together with Komet and Carsten Nicolai (aka Alva Noto) forms the laptop microsound trio Signal. His output is extremely sparse, with his sole full-length contributions being a disc in the prize-winning 20' to 2000 series and 2003's Feld, released on Raster-affiliated label Binemusic.

Frank Bretschneider
Frank Bretschneider works as a musician, composer and video artist in Berlin. His work is known for precise sound placement, complex, interwoven rhythm structures and its minimal, flowing approach. Bretschneider‘s subtle and detailed music is echoed by his visuals: perfect translated realizations of the qualities found in music within visual phenomena.

After the fall of the wall, he and Olaf Bender founded the record label Rastermusic which finally merged with Carsten Nicolai‘s Noton to form Raster-Noton in 1999. He has performed at music and new media festivals such as Ars Electronica, Cut & Splice, Mutek, Offf, Sonar, Steirischer Herbst, Transmediale, Ultima, etc. In addition to his solo work he has collaborated with artists such as with Taylor Deupree, Olafur Eliasson, Steve Roden, and Ralph Steinbrüchel.

This program was generously sponsored by the Goethe Institute, San Francisco.


Links:
Overlap.org
Raster-Noton
Goethe Institut San Francisco

LISTEN/VISION 02
I8U & Chika

March 21, 2008
San Francisco Art Institute
San Francisco, CA

The second installment of this series, LISTEN/VISION 02 presented new work by Gregg Kowalsky, David Kwan, i8u and CHiKA, and Sawako.

Links:
Overlap.org
Gregg Kowalsky
David Kwan
i8u
CHiKA
Sawako
LISTEN/VISION 01

RHYTHM EXP by Frank Bretschneider

February 21, 2008
SF Camerawork
San Francisco, CA

The first installment of this series, LISTEN/VISION 01 presented new work by Richard Chartier, Frank Bretschneider, Carl Stone, and Nate Boyce.

Links:
SF Camerawork
Overlap.org
Richard Chartier
Frank Bretschenider
Carl Stone
Nate Boyce

RESTLESS BRILLIANCE

Christopher Willits


The Hammer Museum
Los Angeles, CA

Volume and the Hammer Museum co-presented Restless Brilliance, two evenings exploring new trajectories in music and video.

Showcasing new work in the emergent field of experimental electronic and audiovisual performance,Restless Brilliance presented artists that are blurring the lines between music, cinema, performance, and art.

October 23, 2007
William Basinski
Sawako
Steve Roden
Screening: The Sound of Microclimates by Semiconductor

November 7, 2007
Taylor Deupree
Christopher Willits
I8U & Chika
Screening: RHYTHM EXP by Frank Bretschneider

The evenings' program also featured a surprise collaborative set by Taylor Deupree and Christopher Willits.

CARSTEN NICOLAI LECTURE

photo: Jean-Christophe Godet


Fades, 2006, audio and video installation with mist


September 24, 2007
San Francisco Art Institute
San Francisco, CA

Volume presented a lecture with internationally acclaimed artist and musician Carsten Nicolai at the San Francisco Art Institute.

Carsten Nicolai is an artist who works intensively in the transitional area between art and science. For several years now he has also experimented with sound under the pseudonym Noto to create his own code of signs, acoustic and visual symbols. As Alva Noto he leads those experiments into the field of electronic music.

After his participation in Documenta X and the 49th and 50th Venice Biennal, Nicolai's works were shown in two comprehensive solo exhibitions at Schirn Kunsthalle Frankfurt, Germany, and at Neue Nationalgalerie in Berlin, Germany in 2005.

Nicolai has performed as Alva Noto at Solomon R. Guggenheim Museum in New York, at San Francisco Museum of Modern Art, at Centre Pompidou in Paris, at Kunsthaus Graz and at Tate Modern in London. Additionally he has projects with diverse artists such as Ryoji Ikeda, Mika Vainio, and Thomas Knak; most recently he collaborated with Ryuichi Sakamoto on the critically acclaimed project Insen.

Nicolai, along with partners Frank Bretschenider and Olaf Bender, is also a founding member of the German experimental electronic music imprint Raster-Noton.